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In Philanthropists’ Shoes: Three Perspectives on Being Genuine From Luxury Brands and High Net Worth Individuals

Posted by Bruce Whitacre
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While corporate philanthropy has long ago shifted from community charity to strategic, carefully designed programs, a fundamental question of authenticity can undermine the soundest strategies.

 

If the association between a company and a cause, or the social impact of the company’s action does not resonate with consumers and other stakeholders, what is the point of the best-laid plans?

 

This question was examined at a recent panel convened by Barron’s and the Luxury Marketing Council, a collaborative organization of leading brands. Discussion was led by journalist and author Richard C. Morais, editor of Barron’s Penta, a quarterly magazine and website serving wealthy families. In this context, Morais addressed the inherent contradiction facing luxury brands and philanthropy — high end products are often marketed as expressions and rewards for one’s self, and this can create dissonance for philanthropic projects focused on others. Customers of these brands are also often philanthropists themselves and they are attuned to these inconsistencies.

 

As Page Snow, Chief Philanthropic Officer at Foundation Source, illustrated, “Individuals of wealth are approached constantly for various causes, and their BS detector becomes very finely tuned, especially at higher levels of wealth.”

 

Alignment sets the stage for genuine and successful partnership. Snow offered advice to those of us on the asking side of this equation: she pointed out that younger family philanthropists are looking out for how their foundations’ assets are being invested just as much as how their grants are being made. They want their portfolios to align with their own values, just as much as their grantees. Even more important, they are not looking for non-profits to fund. They are looking for problems to solve.

 

She went on to analyse recent luxury cause marketing campaigns for alignment and authenticity. RuPaul and Viva Glam: great match. While one of the most inauthentic of recent campaigns, she said, was Komen and KFC. Curing cancer through products that contribute to obesity and cancer just doesn’t fly.

 

Sometimes the alignment simply fits the company’s DNA. Illustrating this was Jasmine Audemars, Chairman of Audemars Piguet, a Swiss watch manufacturer that supports global sustainability projects. “Time evokes the evolution of geology” according to Piguet. As head of their corporate foundation, Audemar and the board direct its resources toward forest preservation around the world as well as in their own backyard in Switzerland’s Jura.

 

And on the corporate side, they built the first industrial building in Switzerland to receive the Minergie Eco label. Sustainability advocates are embedded within each department to help improve the company’s processes. None of the foundation projects are used to overtly promote watches, the corporate image or otherwise fit a “strategic” marketing or communications objective. So, while the foundation work informs the corporate work, it is not used as a marketing gimmick.

 

Danny Meyer highlighted a staff-based philanthropy approach. Employees at his Union Square Hospitality Group restaurants are hired primarily based on their “Hospitality Quotient,” their desire and happiness in serving others. Even in his business’s early days when Union Square was being redeveloped, he and his staff engaged with the community by serving free lunches to organizers and farmers market advocates. Each restaurant manager and staff choose their own local philanthropy, and Danny himself has several in which he is involved, such as Share Our Strength and City Harvest.

 

This focus on employee engagement comes back to a core focus of Union Square Hospitality Group: it all starts with employees, not customers, investors or anyone else. Staff that is continuously engaged and challenged is central to the company’s business growth.

 

With a focus on fulfilling one’s employees, public recognition for philanthropy becomes secondary. Union Square Hospitality has sponsored the Big Apple Barbecue in Madison Square Park for years. After all, nearby Blue Smoke is one of their restaurants. But only lately have they actually put their name on it.

 

But one occasion where they are stepping forward as a brand is the DeVine Intervention campaign for Hurricane Sandy relief that recently closed. Wine suppliers have donated lots valued at $250,000 for an online auction benefiting recovery. The timing was felt to be important…offer an infusion of cash for those suffering the longer term effects of the storm.

 

So the question all of us engaged in philanthropic partnerships should ask is, “What problem am I solving, and how am I being authentic about it?” Only then will a cause find its voice, and its true partners.

 

(This post, originally published on HuffingtonPost.org, is one in a weekly series highlighting The pARTnership Movement, Americans for the Arts’ campaign to reach business leaders with the message that partnering with the arts can build their competitive advantage.)

 

*This article was posted on ARTSblog.

Related

International Corporate Philanthropy Day is Today!

Posted by Patrick O'Herron
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International Corporate Philanthropy Day is Today!

Today, the corporate giving community, led by the Committee Encouraging Corporate Philanthropy (CECP), observes International Corporate Philanthropy Day (ICPD), an international advocacy day intended to build awareness of corporate-community partnerships and to inspire businesses around the world to engage further.

On this day, CECP holds the annual Board of Boards CEO Conference in New York and celebrates the winners of the Excellence Awards in Corporate Philanthropy, along with a host of media-friendly opportunities to draw attention to the important role of the private sector in solving societal problems.

 

See how businesses are celebrating in 2013 by visiting the following link. Read the ICPD tool-kit here.

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2 weeks until International Corporate Philanthropy Day!

Posted by Patrick O'Herron
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2 weeks until International Corporate Philanthropy Day!

Each year on the fourth Monday in February, the corporate giving community, led by CECP, observes International Corporate Philanthropy Day (ICPD), an international advocacy day intended to build awareness of corporate-community partnerships and to inspire businesses around the world to engage further. Start planning for ICPD 2013 now!  For more information on how your company can become involved, visit corporatephilanthropy.org. See how companies celebrated in 2012.

Does Business Need the Arts to Be Innovative?

Posted by Patrick O'Herron
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Does Business Need the Arts to Be Innovative?

Elysabeth Alfano of the Huffington Post poses the question: As businesses struggle to remain on top and come out with products that corner and change the market place, where does this innovation comes from? Is it simply that business executives try to hire creative people, who are also reliable, and accept the fact that some people are creative and some aren't? Or can creativity and innovative thinking be fostered? Click to read the following article from the Huffington Post for some interesting examples of businesses cultivating creativity in the workplace:

 

Does Business Need the Arts to Be Innovative? Five Executives Weigh In

Bank of America Conserving our Cultural Treasures

Posted by Emily Peck
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BCA 10 winner, Bank of America, is partnering with the Seattle Art Museum to restore Jackson Pollock's 1947 work "Sea Change". Since 2010, twenty-two museums around the world have received funding from the Bank of America Art Conservation Project.

 

Bank of America believes that a thriving arts and culture sector benefits societies and economies throughout the world. According to CEO Brian T. Moynihan, "The arts help create deeper respect and understanding in the communities we serve. We take pride in our support for institutions and programs that help people around the world experience the arts and global heritage we share."

 

Click here to watch a video of the conservation process of the Seattle Art Museum's painting and read more about the partnership.

What's Better than a List? A List of Lists!

Posted by Emily Peck
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The latest CECP (Committee Encouraging Corporate Philanthropy) Giving in Numbers study, conducted in association with The Conference Board, shows that giving to the arts continues to receive 5% of the allocations from corporations. This number held steady from the 2010 study. Overall corporate giving has started to rebound as 60% of the companies surveyed gave more in 2011 than in 2009.

 

Companies gave larger grants to fewer organizations and often focused on a single issue area like education. Health, education, and community and economic development were top priorities for companies. Companies also focused more on employee engagement and matching gifts. 83% of companies offered a matching gift program and 85% had a volunteer program. According to Charles Moore the Executive Director of CECP, “Our analysis this year shows that companies are becoming more focused about their giving: from larger grants to a smaller number of organizations; to giving where they have community connections; to using the skills and expertise of the business to build their community engagement.”

 

It is great to see support for the arts holding steady but as businesses continue to look at decreasing their areas of focus and 47% of respondents expect their company’s giving to remain unchanged we need to continue making the case for the value of the arts to business. During this past year, we have compiled a number of lists to provide arts organizations and businesses with reasons on how and why to partner.

 

What’s better than a list? A list of lists! Here are the top 4 lists of lists (AKA the top 33 reasons/ideas/ways) to create meaningful relationships between arts and business. These sources should help you start, build and strengthen your partnerships with business.

 

1.    8 Reasons to pARTner with the Arts: On our pARTnership Movement website we provide 8 reasons why partnering with the arts makes business sense.
2.    10 Ideas to Create a Moment with Business: Margot Knight offers 10 suggestions for arts organizations to connect with the business community.
3.    10 Reasons to Support the Arts: In his popular blog post, Randy Cohen provides 10 reasons for businesses to support the arts.
4.    5 Ways the Arts Can Combat Flat Corporate Giving: Marisa Muller updates the Chronicle of Philanthropy’s list of tips for fundraisers to focus on the arts.

 

Which reasons resonate in your community? What are we missing? 

The Next Iconic Partnerships?

Posted by Jonathan Tuchner
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If you visit Tate Modern during the next few days, go down the ramp and turn right into The Tanks. On the opposite wall you will find images and notes celebrating thirteen years of the Unilever Series at the Turbine Hall.

 

It is a quiet celebration; a gentle place to reflect on what has arguably been the most significant arts and business partnership over the past decade or so. Many will forever recall the glow of Ólafur Elíasson’s The Weather Project, the thrill of Test Site by Carsten Höller, or the structure of Rachel Whiteread’s 2005 Embankment. Unilever’s money made all this happen.

 

Tino Sehgal’s These Association is the final work in the Unilever-sponsored series, which has attracted almost 30 million visitors over the past dozen years. Unilever says “It was planning a change of direction in its sponsorship programme, which is more focused on sustainability and the environment.” Where does that leave the arts?

 

Between 2000 and 2012, Unilever provided £4.4 million sponsorship in total, including a renewal deal of £2.2 million for a period of five years which was agreed in 2008. This is big money for arts partnerships and it created huge public interest and media profile for Unilever.

 

Unilever has had a long and important relationship with the arts over many years. This has ranged from the creation of the Lady Lever Art Gallery in Port Sunlight through to in-house amateur dramatics in the 1960s and an astonishing programme called Catalyst which ran over much of the last decade using the arts to inspire and engage their staff.

 

Their relationship with Tate began when Niall Ferguson was in charge and I recall him early on saying it was his passion for art that drove the investment. Clearly there was passion but what was the business case?

 

The rationale seemed to revolve more on the important task of promoting and supporting the Unilever group name rather than the individual brands that they make.  Then again, could, or should, (or even would) a publicly funded gallery promote the many individual brands that make up the portfolio of a consumer goods company who sponsors them?

 

Does it look strange if a gallery is happy to sell a copy of Andy Warhol’s print of a Campbell’s Soup Can in their shop but refuse to sell the soup itself in their cafe?

 

The end of the Unilever series follows fairly hot on the heels of the end of the Orange Prize for Fiction. Following the London Olympics, will 2012 be remembered as the year sport became essential to our lives and the public’s belief in the arts fell away?

 

As we lose two of the best known, most widely celebrated arts and business partnership—is there a wider significance to these business decisions? More importantly who can pick up the mantle, and become our next high profile partners of the arts?

 

New kids on the block 

 

We feel cautiously optimistic. There are always new players coming to the fore, be they locally or nationally.  We recently saw the first in the Ignition Series created by Sky Arts. Sky Arts Ignition: Doug Aitken – The Source is a fast moving portrait of modern creativity housed on Liverpool’s historic Albert Dock in a structure designed by Aitken in collaboration with British architect David Adjaye OBE.

 

The commission forms part of the seventh Liverpool Biennial, and will be Aitken’s first public realm installation in the UK, showcasing his ambitious approach to contemporary art.

 

James Hunt, director of Sky Arts says, “Sky Arts Ignition Series is not just about the creation of artwork, it is about collaboration and shared experiences with astounding artists like Doug Aitken and great institutions such as Tate Liverpool.”

 

There is more good news—Travelex’s partnership with the National Theatre going from strength to strength, the RSC announcing record profits, Bloomberg’s work with contemporary dance and new art.

 

When Arts & Business was founded over thirty years ago the juxtaposition of the words ‘arts’ and ‘business’ felt both a necessary clarion call, and a leap of faith—proclaiming as it did that the future of both the arts, and of business, would burn more brightly if they worked closer together.

 

The arts simply cannot flourish without the support of business, and the relative importance of business to the arts will continue to increase in the years ahead.

Arts and commerce, culture and business, creativity and philanthropy are all inextricably linked. Moreover the stakes have never been higher. If we collectively fail to deliver on the requisite opportunities for growth, we place more of the cultural vitality of our communities at risk.

 

Arts & Business is about to release our full analysis of the state of private investment in the arts.  Yes, we are are at a crucial juncture, a cross-roads, call it what you will.  The Government no longer sees itself as the most “reliable funder of culture”; the economy shrinks, grass root sport is all the rage—where are the arts in all this?

 

As this new act unfolds in the drama of arts funding, with new players playing lead roles, we know there are opportunities for business growth.

 

There will always be businesses keen to snuggle up to the arts community as it gives businesses a key into its biggest commodity, namely human thought. This is a good thing.

 

At the same time there are too many people yet to discover the ecstasy, spirituality, sustenance and meaning art can bring to their lives.

 

When they started their partnerships, Unilever clearly understood this, so did Orange.  Soon, there will be other names to join their ranks in recognising how starting a partnership with the arts can bring real advantages. Business brands, and the support, know-how and passion of their people need to be at the core of all new arts activities.

 

*Originally posted on Arts & Business Team Blog and ARTSblog.

What Counts in Corporate Giving

Posted by Marisa Muller
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The Committee Encouraging Corporate Philanthropy (CECP) recently released The Global Guide to What Counts: A Defining Moment for Corporate Giving, which will enable a major shift away from corporations’ reliance on various country tax codes to determine what counts as a contribution that benefits society—a reliance that has complicated the practice of tracking international giving.  The Global Guide provides corporations with a much needed tool to allow more efficient measurement of corporate giving on a global scale.

 

CECP, with pro bono assistance from Deloitte, created a Global Corporate Giving Initiative to review giving standards in 17 countries—those with the  greatest concentrations of headquarters of the largest companies in the world--and establish a single, precise characterization of the types of organizations that can be counted within corporate contributions programs.  The results of the Global Corporate Giving Initiative, contained in the Global Guide, summarize eligible organizations in a markedly more user-friendly and inclusive way to be: 1) formally organized; 2) existing for charitable purpose; and 3) never distributing profits.  Findings also provide specific details on all three criteria including the activities and purposes of eligible organizations.

 

“The Global Guide is vital as it will allow companies in the Global 2000—the world’s biggest companies--to better measure and think more strategically about the societal engagement work they are doing all over the world,” stated Charles Moore, Executive Director, CECP.  “We seek to unlock the potential of corporations to further engage with the global communities that benefit from their talent and resources by establishing a single, accessible standard.”

 

To read the press release in its entirety, please visit www.justmeans.com, or you can also download the report.

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Aligning Goals for Better pARTnerships

Posted by Marisa Muller
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Aligning Goals for Better pARTnerships

Luna Negra Dance Theater’s decision to diversify its programming not only complements Luna Negra's mission to nurture and expand audiences' understanding of Latino culture, but also has also prompted the company to seek out a diverse group of corporate funders, including Boeing Co., Discover Financial Services Inc., Allstate, and Mercedes-Benz.

Contributions rose nearly ten percent from 2010 to 2011 to a total of $738,103, with almost all of the increase coming from new corporate support. The key to Luna Negra’s success is engaging businesses whose philanthropic goals align with their own, says Joanna Naftali, the company’s executive director. “It's not that you're creating programs that you think they will like, it's that you're targeting corporations that you think might be interested in what you do,” Ms. Naftali says.

 

The company's strategies for approaching corporations are case-by-case and each corporate sponsor supports a different aspect of Luna Negra's programming. Allstate and Mercedes-Benz helped with last fall's performance at the Harris Theater and the gala that followed. Aligning with its goals toward encouraging innovation, Boeing provided support for the edgier Luna Nueva series at the Museum of Contemporary Art Chicago. For Discover Financial Services, which supports Luna Negra's year-round DanceReach program in Chicago Public Schools as well as its children's programming, Luna Niños, both initiatives dovetail with the corporation's focus on education and families.

 

Luna Negra “really understands what corporations are looking for in a partnership: great organization, high quality, evidence of results, impact,” says Kathryn Beiser, Discover's vice president of corporate communications, of the tangible effect the company's work in the Chicago public school system has on students. “We want to make sure our investments are making a difference.”

 

To read the full article, please visit: www.chicagobusiness.com

 

Corporate support waxes for Luna Negra was originally posted on www.chicagobusiness.com on June 4, 2012.

Author: Meribah Knight 

 

*Photo courtesy of Toby Otter.

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Across the Pond: Offering Insight into Culture’s Value for Corporate Sponsors

Posted by Marisa Muller
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Across the Pond: Offering Insight into Culture’s Value for Corporate Sponsors

Here are a few excerpts from “Live chat roundup: What is culture’s value for our corporate sponsors?” by Matthew Caines, featuring the best comments and insights from The Guardian’s May 25, 2012 live chat on corporate sponsorship in the arts and heritage sectors.

You can read the article in its entirety here.

Philip Spedding, director, Arts & Business
Beware of the pitfalls in a corporate relationship: One of the major pitfalls is when the relationship doesn't end up working for the business and/or the arts organisations involved – in our experience this normally comes down to a lack of clarity in either party about what they really want to achieve in the partnership.


Clear objectives are vital, as is openness and trust. The best relationships also have a sense of 'authenticity' about them, where they make sense to those people around the arts organisation or business.


Jennifer Mays, associate director, sponsorship, events and affinity marketing, Coutts
It's not just about arts organisations approaching corporate sponsors: We need to be clear on how sponsorship helps us achieve our business objectives as well, and proactively look for opportunities.


An example is following the government announcements at the end of 2010 regarding drastic cuts to arts organisations – we, as a supporter of the arts, decided to look for ways in which we could help to raise awareness of these organisations due to our long standing support of the sector.


The result was the Coutts Arts Festival, a three evening festival where nine arts organisations performed to an audience in order to raise their profile and possibly win individual supporters.


Barty Mee, deputy head of commercial partnerships, Drum
Partnering with a cultural entity gives brands a point of interest in their respective marketplace: Essentially, this boils down to having something to talk about and, in some cases, a direct benefit to pass on to their customers. There are many varied examples of this but a good one to focus on is O2's sponsorship of the Academy Music Group venues.


By sponsoring the live music venues run by the group, O2 are able to give their customers access to tickets for gigs at each venue 48 hours before the tickets go on general release. This, combined with the more traditional benefits of the naming rights, enables O2 to attract customers in an otherwise commodified marketplace.

 

*Photo courtesy of Lucy Ku.

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